Analysis Of The Movie Emmy - 1504 Words

In my interpretation, Emmy has always been corrupted by colonial fantasies, but according to Wartenberg, the â€Å"attraction these two have for one another has nothing to do with the allure of an exoticized, forbidden Other. Ali and Emmy are simply two people who have managed to open themselves up to one another in the way we call love.† Here, he’s referring to the initial attraction that draws the couple together, which he attributes to their mutual loneliness. To Wartenberg, â€Å"they seem untroubled by the social differences between them,† and later in the film, it is Emmy’s possibility of belonging to the dominant group that builds resentment in their relationship. (178). I see why Wartenberg believes there to be no intrinsic colonial element in their relationship, but this is a superficial interpretation—as I established before, Emmy can demonstrate affection toward Ali while possessing the subconscious desire to dominate him. In the scene wh ere Ali visits Emmy’s apartment for the first time, having been invited over for coffee, Emmy reveals her history of colonial fantasies. Her late husband was a Polish Fremdarbeiter, a forced laborer in Nazi Germany, and Emmy explicitly points out that he was â€Å"not German.† Even though his skin color was presumably the same as Emmy’s, Germany treated Poland in a similar way that it treated its colonies, so Emmy likely viewed him as the colonial inferior. What’s more, Emmy admits that she was a Nazi herself. Of course, one could defend her byShow MoreRelatedShadow of the Doubt Last Scene1205 Words   |  5 PagesThe movie Shadow of a Doubt is an American thriller film directed by Alfred Hitchcock in 1943, and was nominated for an Academy Award for Best Writing and Original Story by Thornton Wilder and Sally Benson. The movie notes the outstanding and remarkable film-making style of Hitchcock. 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